Leah Callon-Butler's recent observation regarding the end of the rock-and-roll phase of crypto is largely accurate, but this analogy raises a more complex story. My experiences in the music industry during its tumultuous years give me a unique perspective on this transition. When the rise of torrents put pressure on the sector, I sat at the negotiating tables where decisions were made that determined the future of music, while there was more focus on legal battles than on innovation. The result was unmistakable: the industry lost its grip.
When terms like “rock and roll” are used in the context of digital assets, I understand the nuances of this comparison. The strength and excitement that once characterized the crypto scene seem to have waned. Callon-Butler describes the cypherpunk dream as diluted by the rise of Exchange Traded Funds (ETFs) and institutional custody. While I understand the sentimental mourning, I feel a similar frustration to the one I experienced when the music industry shifted its focus from unleashing new talent to optimizing playlists.
The relevance of my music experience stems from the way labels have reinvented themselves. The battle against Napster did not lead to the downfall of record companies; instead, they embraced the streaming model as an innovative development and became shareholders in platforms like Spotify. What began as resistance to file sharing turned into a lucrative business model. The established order adopted the revolutionary impulses and redefined them.
A parallel is visible in the digital asset market. Banks such as JP Morgan are positioning themselves in ways they were previously opposed to and presenting it as innovation. The growing engagement of traditional institutions will certainly lead to a larger user base and better infrastructure, but at the same time we see that cultural enthusiasm is stagnating — that observation is entirely correct.
Yet Callon-Butler underestimates what emerged after the shift in the music industry. While traditional companies adapted to streaming, a new wave of creativity emerged under the radar. Young musicians, whether in their bedrooms or via blogs, created diversity in music genres that were inaccessible to the established industry. Without realizing it, they designed ecosystems so specific that no single company could replicate them.
This principle is currently repeating itself in the crypto world. The rise of stablecoins and tokenized assets offers new opportunities for countries where traditional finance has not ventured. Improved self-custody tools are constantly being refined, even when the focus is on the inflow of ETFs. In essence, this forms the crucial infrastructure for a renewed wave within the sector.
My own experiences in Argentina, where trust in the banking sector eroded abruptly, taught me the importance of supporting the financial system. This is a lesson that has stuck with me: it is the people who build the foundations of infrastructure during quiet moments who determine the outcome when times get tough again.
Callon-Butler wonders whether crypto will retain its strange character. I would like to rephrase this question: the music industry has remained strange, but the strangeness has shifted to the fringes — to producers in their bedrooms and niche communities. This leads us to the question of what is developing in the less visible corners of the crypto world.
The ever-evolving environment of crypto is perhaps the most positive development of the sector. The arrival of mature capital—an element that offers stability—is proving to be crucial. It provides the necessary infrastructure that enables the next phase in the industry.
And while we focus on established structures, individuals in Lagos, Buenos Aires, or Beirut are creating unprecedented opportunities. They need that infrastructure to flourish, independent of traditional decision-makers.
What does the future of crypto look like in an institutional environment?
The future of crypto within an institutional context can be promising, provided that the unique characteristics of crypto are preserved. It is crucial that the creativity and innovation emerging outside established structures are not lost.
What does the growth of stablecoins mean for the traditional financial sector?
Stablecoins offer opportunities to move value across borders, especially in traditionally underserved regions. This can put pressure on the traditional financial sector to become more inclusive and embrace new technologies.
Are the changes in crypto really a sign of maturity?
Yes, the changes in the crypto environment point to a necessary maturity previously seen in the music industry. It is essential that this development goes hand in hand with safeguarding innovative aspects and that space for creativity is preserved.